The Face of Noise will Never be the Same: RIP Seth Putman

How ironic that recently I posted an entry about the anniversary of GG Allin’s death, and in the same month we lost another extreme music pioneer. To be quite honest, like GG, it really was not a surprise. Mr. Putnam’s self destructive lifestyle is well documented. After coming back to life from a 2004 coma, he continued his boisterous path in the true A.C. fashion. I suppose he would not have it any other way.

His demeanor and purposely offensive song titles have always been hilarious. Some have become highly irritated by his antics, as you know that is exactly what his goal was. To push the envelope and get a rise out of anyone who would listen. You really have to take all that stuff like a grain of salt and just laugh. Great entertainment if you ask me.

Going back in time, the first A.C. item I purchased was the The Master of Noise LP compilation. With the first rape my eardrums withstood, A.C.’s music completely blew me away. In my mind I did not envision a band, but more like some kind of monstrous creature. The blast beats and vocals were just feral filled insanity. This was back before they even had song titles. I played that record over and over. Combining with A.C.’s ferocity, the compilation also featured Agathocles, Meatshit, 7 Minutes of Nausea and End of Silence…intense!

Not to get off track, but A.C. was the best thing ever to blast in the car while carrying some virgin ears. The complaints of asking if it was even music delighted me. Basically those comments would push me to play it even louder.

All those early 7” EPs and comps were unadulterated mutilation. At that time I assumed A.C. would always be an underground EP mainstay. Around 1992 I heard they were signing to Earache Records. Due to their strictly raw sound, I was shocked the British label would even touch them. Before that however, Seth and company released the “Morbid Florist” mini CD on Relapse Records. That was their first material pressed on CD. Also the first songs that actually had a slight song structure and titles for that matter. Shortly thereafter, Earache released “Everyone Should Be Killed” and the rest is history.

Noise it may be called, but no one can deny the incredible heaviness of the band.

The day of his death I received numerous text messages about it. Probably the funniest one simply stated “Being dead is Gay”. I will close on that note.

Here are a few random reviews.

Return of the Living Dead “Soundtrack” CD (Restless Records) Nothing new here, but I felt that I needed to review this because I finally got a copy of this on CD format. I can honestly say this movie and sound track definitely changed my life. When I walked out of the theater in August of 1985 I saw the world in a different view. I was 11 years old and only knew of punk rock music but I did not own any records. This movie along with Class of 1984 is what really got the ball rolling for me. I am sure it did the same for thousands of people. My personal favorite tracks are by TSOL, 45 Grave, The Damned and The Flesh Eaters. This soundtrack reminds me of how fun being young was. It was all so new to me. A leather jacket with chains is forever cool in my book.

Hudud “Exist to Breathe 03-05” (Go Kill Yourself, Time Up, Prohibited Projects) This is a 3 way co-release of labels. This Singapore band plays some brutal grindcore in the vein of Agathocles and Rot. This release is one of those action packed multimedia CDs with tracks from demos, compilations and unreleased. It also has some great video footage. The video is 9 tracks of homemade footage. It is great! It has the band playing live in some small space with people crowded up close to the band. It gives an almost chaotic, claustrophobic feeling. The music is a two way vocal attack with grind mixed with metalcore elements. Just like ENT, the vocals range from high shrieks to gutter growls. The music is nothing groundbreaking, but who cares. They play intense heavy music with passion. I listen to my copy on a regular basis. There are no lyrics in the booklet, so I cannot comment on them.

Boltstein/Insect Warfare split 7” EP (Rescued From Life) Here we have a great split between Japan (B) and Texas (IW). The great sleeve artwork sports a Shogun/Samurai look. It is obvious that Boltstein pay homage to legends Bolt thrower, especially to their pre “Realm of Chaos” days. Even their logo is Bolt Thrower. Their tracks are a no nonsense grind approach, but do have an occasional death metal feel. Insect Warfare have stuck to the formula that they are known for…pure blistering Terrorizer influenced grind. What I like about this band their songs are structured like the classic bands. Riffs go from blasts to almost rock & roll head bangers.

Hypo Christians “S/T” 7” (NWS Records) When I heard that H.C. had members from the old band Slattereah, I had to get this. In true early 90s tradition the cover is a black & white drawing of a skull and an upside down cross. It sounded just as I expected: some rough, dirty, old death/grind. It almost sounds like a mix of Phlegm and early Xysma. The production is a little rough, but I like it that way. For some reason I have always had a soft spot for this sound. I would definitely recommend this if you are into early 90s grindcore. I sure hope this band releases a full length. As Splattereah, they only released a demo and a long out of print live 7”.

Terrorizer “S/T” 7” (Satanic Records/Japan) This is not a new release, but I am going to review it because I CAN. I bought this in 1992 and thought it was the best stuff I had ever heard. It was released in 1991 on green vinyl. Only 333 were pressed. Basically this is a demo rehearsal from 1987. It is rough as hell, but still sounds great. This is the line-up with Garvy on bass (before Dave Vincent took over for World Downfall). On the back of the record sleeve there is a brief history on the band and also a confession that this is a bootleg.

Cianide/Machetazo split 7” (Hells Headbangers) First off I must say that I have been following Cianide’s musical career every since I received their cassette demo in the mail around 91. Then when they released their debut “The Dying Truth” I was completely blown away. Throughout all their releases they have always had the ability to write some the catchiest riffs I have heard from a death band. This release is no different. They provide once track called “Black Earth”. It definitely keeps the tradition of an ultra heavy version of Celtic Frost. When hearing this song I imagine a denim/leather clad, long haired sasquatch dancing around wildly.

As for Machetazo, I like everything they have released…especially the stuff on Razorback.  Here these Spanish gore grinders crap out two classic tracks that were recorded in 2004. Their side begins with an intro taken from a Spanish horror movie, then explodes into a grinding blast beat then alternating in a galloping riff. For those of you who are familiar with this band, there are no surprises. If you are new to their material, expect classic horror/gore grind.

Dread Lair Showcase Recap

This 10th of June the Dread Lair Showcase was on display. Originally the gig was proposed to be held at the “new” Walter’s location; where that is, I have no clue. In the end it still took place on the old Washington Avenue location, amidst the club going, trendy hell hole. I would not consider that a negative thing. The outside activity of drunks can provide some great between band entertainments. Late nights on Washington Avenue can become both absurd and funny in the same sentence.
The show itself I found to be a pleasant and entertaining experience. All bands on the bill did their part and brought their A-games. Everything seemed to be well organized and the overall vibe was great. No where present were any ridiculous attitudes or drunken, drama-filled fist fights. This night was all about the music.

Pariah Messiah opened with their blackened metal hybrid sound. This duo consisted of a vocalist and guitarist…oh and a laptop that unleashed computerized beats. Normally I am not a huge fan of drum machines, but honestly speaking they had an appealing sound.

The riffing was definitely black metalish with some death thrown in. On vocals was a possessed man who bared a resemblance to Martin Van Drunen of Asphyx /Pestilence fame. Wildly he prowled the stage spitting out some nice deep death metal style vocals behind a whirlwind of spinning hair. A studio recording by them would definitely conjure my interest.
Following was Bound in Flesh. This trio of Houston metal veterans shredded with a Suffocation/Brutal DM style and some grooving breakdowns.

Don’t misconstrue the term breakdowns. I am not referring to a crappy metal core type selection; I mean some memorable interludes that will make you want to move. A pleasant bit of charisma was displayed by the vocalist/guitarist.

He played with the crowd throwing out some jokes and random babbling, which I found comical. Just enough said between songs to keep things moving but not going into some long diatribe that bores the audience. Some cool song writing melded well in a great performance.
Moving on, the band Mhinotahn performed next. I really cannot give an unbiased opinion of this. Lots of positive feedback was given, so I assume the set was favorable.

Spectral Manifest then manifested the stage. A gloomy grim presence formed around the platform as they ripped into the heaviness. Although they lacked a bassist, their thick barbaric guitar sound more than made up for it. Guttural vocals meshed together with the alternation of mid-tempo brutal rockers to blast beat frenzies. The menacing front man roared with the voice of Satan as the drummer went berserk in an animated attack. The drummer was hitting so hard that I thought he had a grudge against his drum kit. Produced on their mantle was definitely a concentrated wall of sound. A great set rounded out with a solid rendition of a Darkthrone number. Under the moniker of self described Wraith Metal, they remind me of an Autopsy styled band I would hear on a 7” around 1990. That is definitely a compliment.

Austin’s Humut Tabal made their presence lastly. The city of Austin is known for its variety of live music, but unfortunately not so much for extreme metal. Humut Tabal fills in that shortage with their form of somber spirited black metal. This night at Walter’s was no exception.

Their stage confidence and demeanor was impressive. This type of attitude is what I like in a band. The 4 piece exuded a confident, not cocky, attitude that knows exactly what their goals are. Storming through the set, all four members held down their respected positions while vibrantly moving to the music. My opinion of their sound is a blending of traditional 2nd wave black metal and some thrash elements. The atmosphere was there along with aggression.

GG Allin: 18 Years Later

This month, the 28th to be exact, marks the 18th anniversary of Mr. Allin’s death. I am baffled that 18 years went by so quickly. Hearing of his passing seemed so long ago, but in another sense it was just the other day. At the time it was not surprising, especially after years of proclaiming a suicide on stage. With a person living such a sick lifestyle, an early demise was inevitable.
I feel fortunate, or maybe unfortunate, to have had the opportunity to witness a GG fiasco live. The show was almost missed however. A day before he was to perform I went to Sound Exchange and by luck saw an updated show flyer. For some reason the gig was moved up a day early, meaning it was going on that night. So I rushed home to revise my whole schedule to ensure Mr. Allin’s performance was not missed.
Opening was some local punk band whose name escapes my mind. The only thing I remember about them is they played a Reagan Youth cover. “No Class” or “Degenerated”, or some song. I don’t recall, but it really does not matter.
As expected, the show itself was a riot. All those family favorite tracks of his were played. Throughout the performance Mr. Allin continuously jumped off the stage and slugged someone in the audience. He did that multiple times to the same guy. Why the guy stood there with no retaliation is a mystery to me. Maybe he was the ultimate fan and saw GG’s fist to jaw as a gift from the messiah. Those actions did no fly with other attendees. Each time he jumped off the stage, people in the crowd attacked him. At one point he brawled across the entire venue. Each time he would retreat backwards to the stage, fell on his back and kicked wildly with both feet.

GG Allin - Live Houston 1993




Luckily there was no fecal matter unleashed. As planned, if he started shitting about the place I was leaving. No bodily fluids, just a full set of violence. Maybe he forgot to take his laxatives before the show.
Anyway, Mr. Allin was a sickened degenerate but I have always found his music offensively funny, everything from the snotty punk of The Jabbers to the filth rock of the Murder Junkies. Those bottom of the barrel lyrics are pure comedy.
As with all controversial figures in entertainment, in death he is considered to be some sort of immortal. Well I don’t look at him in that sense, but do find him as a pioneer of self expression….a person who truly did not give a shit about anything.

Filth Covered Visions #3: Mordant Red

Number 3 of the Filth Covered Visions zine is now available. This third installment, Mordant Red, follows the tradition of the sickened short story format.

“She grimaced in pain as her body was being mutilated by the sick man’s mouth.”

Mr. Sholder is a man with problems. He has a damaged mind from twisted events past. Drinking away his failures is a hobby he is quite fond of. However this particular night out will take him on a sickened journey that will question both morality and sanity. A chance encounter with a couple of patrons will constrict his inner being and drag him through a fragile underpinning. His nondescript existence will soon come face to face with an obscene chain of events. Mutilation and violence take center stage in this fast-paced, filth covered vision.

The Big 4 DVD

“The Big 4: Metallica, Slayer, Megadeth, Anthrax” DVD



I was skeptical about buying this. Over the years my interest has declined for some of these bands. Well except Slayer, they have always remained a reliable source for releasing great music. Actually Anthrax has remained pretty good as well. As for the other two bands, besides their classic albums, I stopped following them.
All in all, I must admit this is a pretty cool release. Combined in a 2-disc format, it is packed with over 5 hours of footage. So basically I rotted away on a windy Saturday watching the bulk of this. Normally I am not one to lie around for hours watching television. Usually after watching one 2 hour movie I get stir crazy with the need to do something else. So I planned to watch one set (Slayer’s), then finish the rest of it over a period of days. That idea fell apart because I watched and watched and before I realized the end credits were rolling.

First up, Anthrax put forth as always, an energetic youthful spectacle. The majority of the material performed was taken of the Belladonna albums. “Only” is the only “newer” song played. Belladonna sounded ok singing it, but I prefer John Bush on that track. Just as on the older tracks, Belladonna sounds much better than Bush on those. To me Anthrax has become two different bands: the Belladonna era and Bush era. I like both for their own unique sounds, but this night Anthrax was all about the thrash. A job well done.


Ok I did not watch the entire Megadeth set. Some of the classics were there, but also was the more recent stuff. It is not that I hate modern Megadeth, but the burning interest is just not there. At a later date I will go back to watch in its entirety. What can I say?
Slayer, ah WHAT can I say? With them you always get what is expected. The set was nothing short of intense. Starting off they stormed through the newer track “World Painted Blood”. With the exception of “Show No Mercy” and “Hell Awaits”, music from their entire career was presented. I would prefer to hear some material off those first two albums, but still I was satisfied with what was provided. “Chemical Warfare” was the oldest track played. With all the nostalgia going on, I honestly would have been ok if they performed more off the “World Painted Blood” album.


Lastly was Metallica. The first thing I noticed on the DVD box was Metallica’s set was double in length compared to the others. Honestly, I originally did not pick this up just for that reason. I did not care to hear any of that “Load crap”. I think the general opinion of those into heavy music is that Metallica has not released a decent record since “..And Justice for All”. I still remember the day when rushing out to buy the “Black” album the week it was released. The “Enter Sandman” video had already debuted on MTV, which I did not care for. Still I figured the rest of the album would be better. I put on the cassette and was not impressed. I can appreciate it a little bit more now in the present, but at the time I wanted to hear another “Ride the Lightning” type album. Suffice to say, after buying the “Black” album I never picked another item with the name Metallica on it, until now.
I found their performance to be extremely entertaining. The majority of their set was taken from the classic albums. I must admit the few newer era songs actually sounded pretty good. A thought was conjured of thinking these songs are really not that bad….but still not good enough to make me go back and purchase the rest of their catalogue. Although the performance was 2 hours long, the time went by rather quickly. I never found myself getting bored during the viewing. To top it off was a conglomeration of all the bands on the same stage performing a rendition of Diamond Head’s “Am I Evil”.
My only complaint is the close ups of Lars Ulrich’s ugly face. I felt nauseated each time when he made these childlike facial expressions while hanging his tongue out. Maybe before the show he was bitten by a rabid dog.

Other than the aforementioned aggravation, the Metallica part was top notch. The members gave of an aura of pure excitement of the event which was felt by the viewer. As you can see the passage on Metallica is much longer than the other bands. Not because I like them any better, it is mainly because I did not expect much and was pleasantly surprised. Expect less and get more.
The bonus feature is a 45 minute, behind the scenes documentary. Behind the scenes is definitely the best way to describe it. Mostly it consisted of following different band members around the stadium as they provide commentary on the event and its importance. The camera also captures intimate footage of different members talking amongst themselves about different topics. Each band’s intensity is on display before taking the stage for their respected sets. In finishing it is rehearsal footage for the big “Am I Evil” finale, which I found it to be pretty interesting.
So my final opinion is an extremely positive one. I paid $20 for it, which was well spent.

Cleaning out the Attic

As the title suggests, I was going through some old things up in the attic. I came across everything from 80’s action figures to stacks of old magazines: Famous Monsters of Filmland, Metal Maniacs, The Wild Rag (remember that underground label Wild Rags?), Pro Wrestling Illustrated and The Ring. What I thought would be a 30-minute job transformed into a two hour journey of reminiscing.
The gray plastic bin towards the back wall was a Pandora’s Box of memories. Inside, it was compacted with lots of old Houston metal/punk show fliers and issues of both Public News and Riveted. Back in the early 90s the Public News was the go to Houston publication for listings of all the show venues at that time: The Vatican/The Abyss, Backstage, After Dark, The Axiom/Catal Huyuk, Goat’s Head Soup, The Asylum, Emos and more. Riveted was a newsprint paper that focused mainly on metal. Too bad it is out of print. So anyway, below I posted a small portion of the stuff that was saved. Many good times were had back then.